" Objects that meet the senses everyday for years must necessarily mould the mind... as well as cultivate the imagination and the heart." ( Peabody, 1836) These words spoken by educational reformer Elizabeth Palmer Peabody(1804-1894) reflect a strong connection to Friedrich Froebel (1782-1852) and the emphasis placed on environment and early learning. My research questions are based on the concept of unity and harmony in the classroom and in educational practice through comparative research of the Froebelian, Waldorf and Reggio Emilia approaches to early childhood art education and environment. For example, The Reggio Emilia classroom changes and grows, like a living space, a living organism that responds to and maintains harmony with the individuals that occupy it. Therefore, the objects that inhabit the classroom should resonate with life, and evoke multiple responses from each individual.
Peabody, E.P. (1836). Record of a school:exemplifying the general principals of spiritual culture. boston: russell, shattuck and company. retrieved from http://goo.gl/FzerY
Cadwell, L. (2003). Bringing learning to life. new york: teachers college press.
My second area of research interest is that of the impact of the arts in the recovery of communities. My professional work centers on this concept, through the development of a cooperative art projects entitled, The Peace and Unity Project and it's partner, How Will You Help Change the World? Both of which ask the essential questions, what is peace and what does peace and unity mean to you? As well as How will you change the world? These are projects with Survivors of the genocide in Rwanda. In addition, as a means to help the children's families, a women's art co-operative, Komera, was formed. These projects show the direct impact art has on bringing back civilization from the depths of war, poverty and tragedy. Such projects are applicable across the globe as well as in our own communities.
Jokela, T., & Huhmarniemi, M. (2008). environmental art and community art learning in northern places.
In T. eca & R. mason (Eds.), International dialogues about visual culture, education and art (pp. 197-210). Bristol,United Kingdom: intellect books.
www.barefootartists.org/barefootartists_awakeningcreativity.html